Public discourse (dialogue, deliberation, media)
Caron Atlas' essay on MicroFest: Appalachia focuses on the connections between civic capacity, imagination, and moral economy in Appalachia.
Last Updated: September 4, 2013
Largely led by community artists and arts organizations with long-standing commitments to applied arts practice with diverse marginalized populations, arts in corrections assume varied forms and intentions. Arts programs provide expressive and...
Last Updated: September 11, 2013
In this paper, long-time community arts chronicler Linda Frye Burnham offers snapshots of selected projects that help capture the range of community arts projects and programs happening today. They are led by veteran and up-and-coming artists and...
Last Updated: October 29, 2013
Social / Justice / Practice: Exploring the Role of Artists in Creating a More Just and Social Public
As a long-time activist and co-founder of the Boston-based Design Studio for Social Intervention (DS4SI), Lori Lobenstine discusses making meaning and creating change in the public sphere through the integration of social justice strategies with art...
Last Updated: January 13, 2014
Since 2006, with the Universal Declaration of Human Rights (UDHR) as its guide, The World As It Could Be Human Rights Education Program (TWAICB), http://www.theworldasitcouldbe.org, has worked in collaboration with community arts and social justice...
Last Updated: August 14, 2014
"100 Faces of War Experience: Portraits and Words of Americans Who Served in Iraq and Afghanistan" creates a large survey of the American personal experience of war in Iraq and Afghanistan, using tools of sociology, participant generated content,...
Last Updated: August 14, 2014
In its four-and-a-half year Faith-Based Theater Cycle, Cornerstone Theater Company created original community-based plays in collaboration with faith-based institutions and inter-faith communities. The project explored how faith both unites and...
Last Updated: August 14, 2014
Tess Anne Sarbutt uses sculptural installation and video art to examine the loss of children through exceptional circumstances. Losses can manifest differently depending on the circumstances e.g. war, or cultural expectations e.g. gendercide. Her...
Last Updated: August 14, 2014
In February 2006, the National Museum of Mexican Art opened the groundbreaking exhibition The African Presence in México: From Yanga to the Present. The exhibition was accompanied by two sister exhibitions – Who Are We Now? Roots, Resistance, and...
Last Updated: August 14, 2014
Mapping Baybrook is an interdisciplinary exploration of place that uses digital mapping to illustrate research on the culture of art and history in an industrial community in Baltimore, Maryland referred to as Baybrook—a merging of the names of two...
Last Updated: August 14, 2014
Queer Women of Color Media Arts Project (QWOCMAP) promotes the creation, exhibition and distribution of new films/videos that address the vital social justice issues that concern queer women of color and our communities, authentically reflect our...
Last Updated: August 14, 2014
ReEntry, a play by Emily Ackerman and K. J. Sanchez, is composed entirely from the words of Marines and their families. The play is considered “documentary theater” in its re-telling of actual events and personal perspective. In addition to...
Last Updated: August 14, 2014
As the Llano Grande Center has worked with people and communities in developing community changemaking skills, we have come to understand and define a digital story as a self-generated, short-length digital production that tells a story of personal...
Last Updated: August 14, 2014
home land security was a community arts performance project in response to September 11th created and directed by Marty Pottenger and commissioned by the Center for Cultural Exchange in Portland, ME. The goal of home land security was to...
Last Updated: August 14, 2014
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